Oh wow, thanks for such a detailed response
That also goes for the very last frame. F07 feels too slow!
That was intentional actually, eheh. I think I like it better with a shorter pause the second time round.
I was kinda apprehensive about uploading Searing Audacity as it is, I think I had
some two good ideas, but I struggled to make a full coherent piece around them. Maybe I'll give it another go some time, add more material, do something about that... weird middle section.
Magma Hell too, I was unsure about, what with its length, uninteresting bass and general, like, badness

but I figured I might as well upload it since it's as complete as it's gonna be.
I see what you mean about the dissonances in Unwritten Kitten. I think the piece works at the beginning (and at the end, I guess) but I kept trying to add too many parts without really paying any attention to actual disciplined harmony. Even after seeing your comments, though, I still can't really see how to improve things, so I'm feeling inclined to just leave this be as a mediocre piece with a lot of weird dissonance.
Reverent Maiden's Barbed Heart doesn't really need anything changed so yeah, but for the last three I think will revise them using your advice

and the loudness at the end of Grey Magic Fantasia was intentional, 'cuz that's what you do near the end of big pieces, right?

Everything loud! Everything in the same key that you started in!
Sooo, I'll work on those three things and get back when I'm done

I felt like a great place to have an opening monologue, sort of like the opening to an RPG, where the story unfolds before you start a game!
I did actually write it with a mysterious, slow-paced first stage of a game in mind, so it's good to hear that that got through!